The Sentiment, Mood, and Philosophy of The Best Slow Dancer :: Free Essay Writer

The Sentiment, Mood, and Philosophy of The go around Slow social dancerFeelings can twist reality in the most peculiar ways. Emotions pull the top dog to the most stunning conclusions, and stir within the soul the strangest storms. In fact, senses reach their peak in David Wagoners poetic impart The Best Slow terpsichorean. In the poem, Wagoner brings out the top side of sentiment through the eyes of a teenage boy at a school dance, who overcomes the teenage social hierarchy and his own affright to share in the longed-for dance with one special fille. alone the while Wagoner takes his readers into depths of wafting dreaminess, romance, and intimacy they are projected through an unceasing flow of words uninterrupted by punctuation, rhythm, or strict lines. The Best Slow Dancer portrays the mental state of a boy as he experiences a dance. It is a short dance, but one that seems to him prolong for an eternity, the three-second rule forever/ suspended. The feelings that go th rough the youths soul range from thoroughgoing delight to just as extreme tension, and the reader may see them all exhibited in the lines of the poem. His surety when with the girl in his embrace is seen when his countless feet light-footed sure to move as they wished wherever they might stagger without her, but then he attemptto tell her he wasnt the worst one, the worst of the boys, the one that she would non be seen dead withwhich implies that he is fearful of the fact that she might reject him, not waving a sister somebody elses partner. The honest textual image demonstrates that the boy is with all his heart trying to publish the girl, and gets the dance with her against all odds of popularity and such, and then he treasures the experience, as he says to himself remember at the end.All throughout The Best Slow Dancer, the key ingredient to the image within the readers mind is the mood unbending by the poem. The mood is mystical, quixotic, intimate, and continual. This sta te is accomplished by three techniquespoetic devices, turns of phrase, and contortion of syntax. The main pair of poetic devices that set up all these moods and humors simultaneously are enjambment and synecdoche. Enjambment is funny in this poetic work, especially in descriptions of physical setting or fix, such as the setting of the dance, in the school gym crosswise the key through the glitter/ of mirrored light, or the position of the main character with his cheek against her temple, her ear just under/ that.